Upsodown
Exploring the disconnection between humans and nature
Directed by Nathan Ceddia
Upsodown, directed by Nathan Ceddia, is a compelling exploration delving into the intricate relationship between humanity and nature. The film immerses the audience in surreal worlds, guiding them through a captivating journey that underscores the profound disconnection between humans and the natural realm.
Ceddia's cinematic creation serves as a poignant reminder that all living entities share an interwoven existence, emphasising the interconnectedness of life.
Upsodown explores the complex relationship between humanity and nature. Can you share insights into your initial creative vision and the process of conceptualising the film, especially in terms of translating abstract ideas into a visual narrative?
At first, Upsodown was a vision, devoid of words, merely images from the arena of my mind—a visual mood board reflecting humanity and nature through inner consciousness. At the time, I had no idea of the profound depths I was exploring. Only through the unique process of filmmaking did I finally understand the true destination of my vision.
The film draws inspiration from childhood memories and locations. How did these personal experiences influence the aesthetic and visual choices in Upsodown, and were there specific memories that played a pivotal role in shaping the film's narrative?
Exploring in and around my hometown of Melbourne, I embarked on a journey, guided by a mental list of places I have been. Areas that have inspired me and left a permanent desire to one day return and capture their essence. Through this exploration, a visual world emerged, highlighting the unique and natural collective beauty of each space.
The decision to shoot on 16mm and 8mm film adds a distinctive aesthetic to Upsodown. Can you discuss the significance of these choices and how they contribute to the film's overall atmosphere? Additionally, how did you collaborate with Director of Photography Ellery Ryan Jnr to achieve the desired visual style?
I told myself that to truly consider myself a filmmaker, I needed to shoot on film. Doing so allowed me to connect with the filmmaking process on a whole new level. I had to let go and be present in the moment, visualise everything through a new lens and put my trust in the process. Throughout this adventure, Ellery Ryan Jr., the cinematographer, emerged as the perfect guiding force. A genuine friend and collaborator, who embraced and adapted to every challenge I threw his way.
Sound design is a crucial element in enhancing the emotional impact of a film. What discussions or considerations were involved in creating the auditory landscape created by Oliver Hahn?
No sound was recorded on location, meaning all the sound design was tailored to the visuals in post. I gave Oliver creative freedom with one specific request, I asked him to pay attention to the juxtaposition of sounds. For example, the sound of water didn't have to be literal all the time. I encouraged him to explore sounds that could evoke similar emotions. It wasn't necessary to find an exact match; it just needed to convey a similar feeling.
“Upsodown was more than just a film - it was an essay to myself, my friends, my family, and to anyone who is committed to ensuring sustainability for their health and for the planet”
As the writer and director, how did you approach script development to ensure that the narrative effectively communicates the message of disconnection and reflection?
Initially, I had doubts about my ability to write this film. At a certain point, I approached a friend and asked if she would be interested in writing the script. I shared what I had already written, and her response was, "Nathan, please continue. I can't write this for you, what you've written so far is great. Keep going." And so I did, delving into each scene with deep thoughts and reflective feelings. I became vulnerable in front of each scene, constantly asking myself questions throughout the writing process. Upon completion, the next challenge was to step back and piece everything all together like a jigsaw puzzle, ensuring that each word I had written worked in unison with the next.
Upsodown is described as more than just a film but an essay on sustainability and interconnectedness. How does this film align with your broader filmmaking philosophy, and do you anticipate these themes will continue to be central in your future projects?
Creating upsodown allowed me to unlock newfound potential in my filmmaking. I am now able to delve deeper into my process and discover those moments of magic. Becoming more open has allowed that honest voice from within to shine. My films carry a big part of me, a part of me that I am happy to share with the world. I am continually evolving and growing alongside nature; it's an integral part of this creative journey. Nature holds a special place in my heart, and I cherish the connection we share with it.
Written and Directed by Nathan Ceddia
Voiced by Magnus Mariuson
Director of Photography Ellery Ryan Jnr
First AC Louis Mitchell
Composed by Haraldur Thrastarson
Sound design by Oliver Hahn
Colour grade Daniel Stonehouse
Graphics by Tristan Ceddia